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talia

@g0bsmacked

did the love affair maim you too?
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lesbyers

dog metaphors are all about devotion, devotion to a person, a concept, a place etc, to be a dog is to be devoted.

there are three types of dogs

dog 1: pet dogs; loyal and devout, they follow after the object of their devotion desperately even when it is not reciprocated or out of their reach. they are usually (but not always), somewhat innocent (think puppy love). they are below or believe themselves to be below the devoted in terms of power/worth/status etc, at the end of the day they are just someone's dog. they feel they are owned by who or what they are devoted to, whether enforced by them or by their "owner" differs. some are naturally selfless and obsessive, others bullied into submission, some are mix of both.

dog 2: guard dogs; aggressive and loyal, protector and/or provider in some way, (think knight and king dynamic) use anger and violence as an expression of love and devotion, either prone to harming who/what they are devoted to or are dedicated to the protection of it in all forms. this varies depending on the morality of the characters. low morality guard dogs are possessive and challenge their devotion using violence and threat to gain control. others are valiant and heroic, usually with a strong moral code that will not be broken. they are often bad at communication and addressing their own emotions, choosing to speak through their actions rather than using words.

dog 3: wild or wolf-like dogs, at their core they are a large animals that are unaware of their strength and size, their displays of love and affection, although genuine and passionate, can end up harming or negatively impacting the objects of their devotion, (think dogs showing affection through biting not realising the sharpness of their teeth), usually impulsive, controlled by emotions and erratic, they are volatile and often illogical. to love and be loved by them is dangerous. violence is a natural or taught characteristic of theirs that is inherent and inescapable. these characters often don’t intend to cause harm and when they do it’s usually from an un-calculated place of impulsive destruction or an emotional outburst.

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“It's taboo to admit that you're lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven't left the house today and you might not even go outside tomorrow. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you're not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn't transition well to adult life, that you'd fall right through the cracks. And look at you now, it's happening.”

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shivroygirls

i know every word to this. you don't get it. its my national anthem. every morning i wake up to this and every night i go to sleep to it. its my lullaby. its my toni collete monologue hereditary moment. i perform it for my family and friends. its everything to me. fucking TV history. there will never be anything better. they should cancel all TV shows forever cause they'll never live up to this. never.

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one of the many reasons Fleabag is so heartbreaking and relatable is because no one ever chose her. Not her family. Not her lovers. Not her supposed “soulmate”. The one person that picked her died. She was no one’s choice or option, not even to herself. The way we can feel her loneliness through the screen is enough to make me collapse into a mess of tears on the ground and shake uncontrollably

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queensgcmbit
“you dangle on the leash of your own longing; your need grows teeth.”

— Margaret Atwood, Excerpt of Speeches for Dr. Frankenstein from Selected Poems 1965-1975 (via dk-thrive)

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joseph quinn being scared he wouldn't play eddie right and then proceeding to slay the role, become the white boy of the year (TM), travelling the world, doing more press for stranger things than the whole main cast combined, making nerds and metalheads everywhere PROUD, getting a JACK BLACK shout-out, being constantly hyped by fucking METALLICA and then JAMMING WITH THEM AND HAVING THEM SIGN A GUITAR while remaining a super chill dude

I am going to CRY

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milkiane

i want to fall in love!!! i want to be kissed under the rain!!! i want to slow dance under the moonlight!!! i want to have late night drives!!! i want to scream a song’s lyrics with the windows down!!! i want to exchange books with annotations!!! i want to watch in a drive-in theater!!! i want to be loved!!! i want to love!!!

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avengerrs

it’s the way that peter was going to tell mj. it’s the way that he probably stood in front of his mirror, practicing what to say and preparing for rejection just in case. his anxiety was probably up and he was probably more nervous than he’s ever been— and he’s fought aliens in space. but then he asked her about her head and she said “it doesn’t hurt anymore” as in “it used to hurt, but it doesn’t now.” peter probably thought that he hurt her. probably thought that she lied about the countless times when she answered “yes” to the question “are you okay?” just so he wouldn’t be worried. peter thought that he hurt her. that he was responsible for her getting hurt. and so he leaves thinking that she’ll never be able to get hurt again since she’s not in his life, not realizing that the absence of him hurts her more. not realizing that she can still get hurt anyways because it’s life. like gwen said in tasm 2 when helping peter: this is my choice. it was mj’s choice to help peter and she would do it all over again, but it wasn’t her choice to love him. that came without warning, and for that feeling? for love? she would risk it all. she figured out peter was spiderman once and she can do it again, especially since their connection is so strong. the more time she spends with peter in that coffee shop, the more she might start to remember who he is before he even gets the chance to try and tell her.

she might start to understand why she has a drawing of peter parker on her bedroom wall.

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being the eldest daughter is like. i love my parents. who are these people in my house. i do not recognise the girl in the mirror. i should be more grateful. my mother gave up everything for me. i didn’t ask for that. i get along better with my father. i never want to be around a man ever again. i’m wonderful with children. i don’t want or deserve my own family. my mother is my best friend. my mother is someone i never knew. i want to be just like my mother. oh god i never want to turn into my mother. please love me. please leave me. let me be whole. 

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IS THERE A RIGHT WAY TO EXIST ? (1) “Erasure Poem From Bone Thugs N Harmony’s Crossroads,” by Siaara Freeman // ( 3 & 6 ) Un Soplo de Vida by Clarice Lispector ( 1970 ) // (4) Deathless by Catherynne M. Valente ( 2011 ) // (7) // (8) A Hora Da Estrela by Clarice Lispector (1977)

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thoughtkick
“I didn’t want to wake up. I was having a much better time asleep. And that’s really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you’re so relieved. I woke up into a nightmare.”

Ned Vizzini

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thinking abt drew starkey Polaroids

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girls who relate to liability, the archer, this is me trying and mirrorball a little bit too much deserve 100,000,000,000 dollars

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