End of Summer

By

S. N. Behrman

Erin Beirnard, Kelly Cooper, photo by Vadim Goldenberg 

Written in 1936, this play revival is timely in more ways than what might seem obvious.  Mr. Behrman presents a picture of the issues of the time which remain, remarkably, many of the same we still face today.                                                       

Set against the backdrop of Depression-era trauma, the immensely wealthy Frothingham (aptly named) family struggles to find meaning in their all-too-leisurely life; young college graduates – frustrated in their job searches – resent the industrial developments that rob many of their work; self-delusion is a constant threat and the challenge to do “what’s right.”

But before you think it’s depressing, wait!  This is an urbane, delightful comedy of manners filled with one-liners.  About one of the characters:  “He’s non-descript.“ Then the money problem again, “When you marry a rich woman, it’s always HER house.”  The employment frustration:  “If house painters can become leaders of nations, think what a really bright man could do!”  Women’s place in society:  “Well, if you can’t be a crusader, it’s better to be decorative.”

The cast is sound with one (Persian?) flaw.  The constant posturing (as if for a photo shoot) by Mary McNulty as Paula, was distracting to the point where one waited for the next pose.  Erin Beirnard, as Leonie, conveyed both the delicacy of her place in society and the steel of her determination.  Kelly Cooper as Dr. Rice is excellent in any role I’ve seen and this was no exception. His compassion woven into a capacity for manipulation was fascinating.  

End of Summer runs through November 6 at Metropolitan Playhouse.  212-995-8410.